The Three-tiered money box

The creativity of Verwood Ceramics

From: The Salisbury Museum

Verwood was a prolific pottery manufacturer based in Dorset, who sold their vast variety of household wares in the Salisbury district for some 500 years until the 1950s. This three-tired moneybox, or money bottle, is one of the more unusual products from the prolific potters, with three different layers to collect pounds, shillings, and pence. They also made cups, candle sticks, vases, bird baths, flowerpots, money bottles, chamber pots, wash basins and jugs and perfumed bricks that were sent to a Broadstone perfumery to be perfumed. 

 

The Three-tiered Verwood money box, With kind permission of Salisbury Museum 021.2.82, Verwood Pottery

The Verwood money box

In The Salisbury Museum’s collection is this distinctive money box, which stands out for its tower of spheres. Each sphere has an opening for money to be inserted, and a letter etched under each opening to collect pounds, shillings, and pence. It has an all-over yellow glaze and a hole through the top knop, presumably so that it can be carried on a rope or hung up. Little is known about the object’s history other than that it is part of the Verwood potteries, and the rustic, rural, folk related objects within the museum’s collection. It bears a strong resemblance to late Victorian and early Edwardian money boxes, which continued to replicate historic ceramic techniques, whilst being creative with shapes, such as this three-tiered design.

A household item

The practice of storing money and valuables in money boxes dates to ancient Greece and Rome. But it was the Victorians who made the money box a household item. The ceramic money box could take on many forms, featuring images of animals, fairy tale characters, and other whimsical designs, providing wide appeal to adults and children. Not only decorative – these money boxes had a second function to educate Britian’s social classes with good housekeeping and to encourage people to save their money. The middle classes were developing during the 19th century, along with greater social and geographical mobility. This impacted Britian’s economy, currency, working wages and personal savings. Among the many social reforms during the period, there were monetary reforms with changes to coinage and banknotes, in addition to calls for decimalisation as early as 1870. [i]

A selection of Verwood pottery, 18th – 19th century, With kind permission of Salisbury Museum © 2009R.125.1
A selection of Verwood pottery, 18th – 19th century, With kind permission of Salisbury Museum © 2009R.125.1
Roman New Forest Pottery, With kind permission of Salisbury Museum © D2021.2.21
Roman New Forest Pottery, With kind permission of Salisbury Museum © D2021.2.21

The rise and fall of Verwood Ceramics

Many of the museums within the Wessex Museums partnership have impressive collections of Verwood ceramics, with domestic objects such as this. The ceramic industry in Verwood, Dorset arguably dates to the Roman period. In the third and fourth centuries, records show that yellow clay was taken from Verwood for use in the Roman New Forest potteries. After this, Verwood’s pottery industry is thought to have been re-established in the twelfth or thirteenth centuries until production ceased in 1952 for economic reasons. Over this period, much of the clay dug in the village was yellow and was often mixed with blue clay brought from Holwell by horse and cart, for producing a wide variety of pots.  Experienced hands were needed, with two people working in unison to throw a pot on a wheel turned by hand. An earth mould kiln was used to fire the pots, with a roaring fire that took three days to reach optimum temperature. The pots were often stacked one atop the other to utilise space, and later removed with an iron hook. After the potteries were re-established, Verwood enjoyed steady production, selling a diverse range of goods in Salisbury for 500 years, with exports to the continent until its decline and demise in 1952. This was likely triggered by World War One, when twelve Verwood potteries were forced to close and enamel ware was proving more popular during the social-economic upheaval, due to its more reasonable price and greater durability.[ii]

Curators’ Insights

The distinguished history of Verwood potteries allows us to chart the journey of a natural, local resource – Verwood clay, which was then thrown and fired by generations of skilled local potters, to be sold and consumed in Britain and abroad. The objects possess strong human stories by the nature of this journey, their construction, and their innovative design. They remain desirable objects, and local connections to the potteries through ancestors and living memories of the potters when active, make them a key part of Wessex’s story. 

 

[i] Victorian Voices Article. 1870 Metric System. 

[ii] Verwood. History Crafts, Pottery.

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